Press

“Ian Fisher has a one of a kind, heartbreaking voice.”
Süddeutsche Zeitung

“spare, gorgeously ambling indie-folk… lilting vocals and thoughtful lyricism.”
Paste Magazine

“Fisher crafts simple, yet emotionally complex meanderings … with pen ready to strike a la Billy Bragg meets an old Johnny Cash notebook.”
No Depression

“Ian Fisher’s got a way with words only a traveled man can grasp. What began for him in Missouri, USA, has carried him all the way to Berlin in search of songs, and there’s humor, humility, and a sense of gravitas to watermark his latest album as official symbols of his wandering.”
American Standard Time

“Americana with a European perspective.”
POPMATTERS

“’Nero’ shows Fisher’s emotive directness and his knack at building a pulling composition with acoustic and pedal steel guitar and spacious piano notes. Fisher’s insightful compositions bear a resemblance to the biting folk of Cowboy Junkies, Vic Chesnutt and Hiss Golden Messenger.”
Glide Magazine

“That man sings like his life depends on it! Ian Fisher has an intensity that truly strikes me. You can feel that he puts everything into each and every song he sings.”
Stern Magazine

“When Ian Fisher takes the stage he is like an old legend or troubadour, with all his energy lurking inside while appearing nothing but calm. It’s then that you can tell that that man belongs in front of an audience just the way he is.”
Melodie&Rhythmus Magazine

“stripped-down, mournful (and beautiful) folk music”
Riverfront Times

~ GERMAN ~

“Ian Fisher verfügt über eine einzigartige Stimme, herzzerreißend.”
Süddeutsche Zeitung

“Ihre Songs glühen noch lange, nachdem die letzten Scheite auf dem Lagerfeuer schon verglüht sind.”
Riverfront Times

“Wie der Mann Singt! Als ginge es um sein Leben. Ian Fisher hat eine Intensität, die mich tief beeindruckt. Man merkt, er legt alles in dieses eine Lied, das er gerade singt.”
Stern Magazin

“Wenn Ian Fisher dann mit seiner inneren Energie und äußeren Ruhe Songs singt, die klingen wie alte Klassiker, dann ist klar, der Mann gehört vor Publikum und zwar genau so wie er ist.”
Melodie&Rhythmus Magazin

“Abgespeckte, tieftraurige (und wunderschöne) Folkmusik”
Riverfront Times